New Look

If you're like me and you do most of your blog reading via Google Reader, you may have missed that the blog got a little spring cleaning. A little less clutter and a new banner too. So please stop by and take a look!

Lynx and Stars

I made this custom book for a very talented lady, who requested a journal with lynxes, graph paper, stars, and red. I decided to try something a little different and made the book with a soft curved spine. It turned out to be one of my favorite books I've made in a really long time.

:: vintage book illustration of a lynx ::

 :: the milky way, and letterpresses name plate ::

 :: typewriter stars ::


 :: curved spine ::

:: lynx ::

What Is It?

At the Common Press, where I work, we were just given this press, but we're not quite sure what it is exactly... It was described to use as a plate press, and when I did a little research, I found similar looking presses that were called arming or embossing presses. If it is one of these, I'm wondering if there used to be some sort of heating mechanism and how it could be restored.

The only other clue here is that the maker's name is E. Ermold of New York. I did find some old printing trade publications that mentioned his name and that he sold embossing presses, but no images. 

If you know anything about how this press might work, I'd be interested to learn more. Thanks!

 :: new mystery press ::

:: E. Ermold ::

:: the steel base pulls out and has a broken wooden hinged frame ::

How to print ghosts.


I dreamt we were printing ghosts. The press was found in a forgotten room, silent and damp. It took two of us to start the old machine, turning and turning until momentum lifted the heavy wood handle from our hands. Hidden mechanisms slid over cool burnished stone and silhouettes curled upwards into the air like burning paper. Colorless sendings, their mouths open with surprise at their own animation. I saw them drift and break like bubbles.

Making a Custom Portfolio

Look at this! I actually had the fore site to take process shots for once in my life. I'm not going to lie, large scale bookbinding is intense, precision is key and the glueing...not for the weak at heart, but I'm very excited about how this turned out. Please enjoy the making of a custom hidden screw post portfolio for the very talented Rush Jagoe: Photographer. 

 :: figuring out the hardware ::

 :: positioning the letterpress nameplate ::

 :: drying the book under weights, many weights ::

:: pressing the screw post holder ::

 :: finished cover ::

 :: closed portfolio, with slipcase behind it ::

:: open portfolio ::

The End

Cleaning

 :: hecate and mushrooms ::

I've started the process of cleaning up my new-to-me Vandercook No. 4. I'm still a bit in disbelief. When I started cleaning it I kept having to remind myself - you're not at work (I work in a university print shop) you're cleaning your very own press.

 :: clean rollers ::

The cleaning process is a real rabbit hole. There's hard dried ink lurking everywhere and it does not want to come off. It's very satisfying though when you finish one area, like the rollers, and move on to the next one.
 :: ink and paint composition ::

I'm also learning more about the press as I clean it. When I got home and removed the tympan paper. I found prints with the press name The Stone House Press, a fine press in Roslyn, New York run by Morris A. Gelfand.

I found this photograph of Morris.


:: Morris A. Gelfand ::

Thank you, Morris. I will treat your press well.

:: results ::

The most productive day in history.

About a week ago, a strange thing happened, and I had the most productive printing day in the history of printing days. It was magical. These are all available in my Etsy shop and will also be available May 12th and May 13th at Art Star Craft Bazaar. My first outdoor craft fair! Yikes! Looking forward to it, hope to see you there.

:: snail mail postcard ::



 :: great job! ::

:: mysterious machine no. 2 ::

Cards and Experiments

:: the tricky little lock-up ::

I printed some new business cards for myself last week. To save money, I set the card on wood and metal type instead of getting a polymer plate and printed the cards on scraps I had gathered from previous projects. Setting the type and getting the composition just right took some time, but the printing was quick and easy. I switched colors a few times for variety. To make them more versatile I trimmed them long and narrow so that they can double as bookmarks and price labels for books as well. 

:: done and done ::

I also did some polymer plate experiments on my Chandler & Price, Junior. So far, I've only printed wood and metal type on it. Polymer is a little fussier and I was worried the results wouldn't be so great. I set up a variety of plates, a halftone, a block of large text, and another much finer lined text. Not bad at all, these aren't even the recommended deep relief polymer plates. 

:: nice ::

:: very nice ::

:: little over inked, but nice! ::

That's a relief. Good job little C&P.